The Bourne Ultimatum – movie review
We got to see this thriller a week late in India, but gosh, what a movie! Sheer unadulterated enjoyment. Like eating my favorite dessert for a good one hour and 51 minutes with every minute like the first bite!
Really, this is the best time I have had in a theatre in months….
The camera work in The Bourne Ultimatum (directed by Paul Greengrass) is not just dizzying, it gives the viewer a roller-coaster ride. The editing is tighter than I have ever seen, making the movie spin ahead at an exhilarating pace.
Good movie? You got to be joking. The movie is downright fantastic. Some reviews have compared this film to other action flicks like Die Hard films, 007, and Oceans…but the Bourne films are a class apart. Firstly, all the films in this trilogy have been good…Identity, Supremacy and now…Ultimatum.
I also like the character of Jason Bourne (Matt Damon) better than all the characters of those other films put together. Jason is a man torn apart by the fact that he is a killer. But until he loses his memory, he doesn’t know it. I think this is an interesting concept because people often become who they are in adulthood by ‘adjusting’ to the vagaries surrounding them, by getting influenced by people around them …and in the process go against their very basic nature. Losing his memory sets him on a self-discovery path in the first film of the triology…and in this third one he comes close to finding out who he really is.
The movie opens with Jason on the run in Moscow, and in that sense it starts off from where the second in the series left off. Right from the start the pace is hectic, with Jason hopping from Moscow to London to Paris to Tangier to New York, with the CIA bad guys barking at his heels. Their intention? To take him out. His intention? To find out who he is. The main villain of the piece is Noah Vosen, CIA’s Deputy Director (David Strathairn).
Jason comes close to his goal when he meets up with Simon Ross, a reporter (played very ably by Paddy Considine) who has been in contact with Neal Daniels (Colin Stinton), a CIA agent who has leaked information about Bourne’s identity to Ross. Jason knows he has to get to Daniels…before the CIA does.
This third in the series, while not possessing anything new in terms of storyline, appears fresh and exciting. Why?
Well, it isn’t just the skilled camera work, the slick editing or even the poignancy of Jason’s character…it’s also the actual scenes. My favorite is the one at London’s busy Waterloo station. Jason via his cell phone gives step-by-step instructions to greenhorn Ross on how to dodge the CIA men following him (Ross). The scene, with the camera switching from the milling crowds, then to Jason and then to Ross, to other people, to the surveillance cameras to Vosen and his team watching the scene unfold on tv screens…is a breathtaking one and superly executed. Everything seems to happen in the blink of an eye, and yet the viewer is not confused.
The car chases and collisions were also well done…absolutely a treat to watch. Another scene worth mentioning is the fight between Desh, a CIA hitman (played by Joey Ansah) and Jason. It takes place in a small apartment, and the angles are all close-ups. I loved the camera work…it left a lot to the imagination as one cannot see the exact positions of the two men. This scene follows another great one – a chase on the rooftops on Tangier.
The film has its violent parts, but nothing too violent, and nothing gory.
Another thing I liked about this movie was how the director managed to bring out the flavor of the different cities, whether it was London, Paris or Tangier, all with the minimum of scenes.
Matt Damon himself looks haggard in the film but I thought the look went well with the story (why should guys on the run look as if they have just stepped out of the beauty parlour?) specially as Damon is not that hot in the acting department. Anyway, he didn’t have too many lines…but overall I liked Damon in the film.
Jason’s character was almost like that of a superhero in this film…the stunts and wins that he pulls off with such ease… but this didn’t bother me…I think I quite liked it.
There were some things which were not explained. Like the exact (past?) connection between Nicky Parsons (Julia Stiles), the pretty CIA operative and Jason, for whom she risks her life and job. There were also some other mysteries about Jason’s past which were not fully explained, although he does find out his identity at the end.
Overall, I think the film was brilliant because it was tightly edited and yet very clear. I get irritated when directors try to be stylish and in the process make it difficult for the viewer to follow the story.
I want to see the next sequel…now! :) Or perhaps I’ll buy all the three movies and watch them again, one by one.